Here is a glimpse into the working mind of Taylor as he susses out tunes and sound experiments in their rawest form, mostly alone with a four track in his mother’s attic. Some are mere sketches. Many never again saw the light of day – or morphed so much they are more like distant cousins of future songs. Some of the more interesting Brainiac songs, like Fucking With The Altimeter, Silver Iodine, or Strung, were elevated from the original four and eight track demos later in the studio environment. Attic Tapes serves as a blue print for how these types of tunes developed. The entire program is stitched together like a distorted dream. Jumping from one scene to the next, it progresses through all four sides in a historically linear fashion, from the very early days through to the final rehearsals.